Categories
Posters

Magnolia, Snake Eyes, and Code Inconnu

Three kinds of Convealment

Magnolia, a P.T. Anderson film; Claudia portrait overlapping other characters
Poster for Magnolia (1999), by Paul Thomas Anderson

Exploring concealment-revelation-connection in the course of Magnolia’s troubled biographies, allegiance to law and country in Snake Eyes, and social power in Code Unknown.

Snake Eyes, a Brian DePalma film; Rick portrait overlapping other characters
Poster for Snake Eyes (1998), by Brian DePalma
Code Inconnu, a Michael Haneke film; Anne portrait overlapping other characters (indistinct)
Poster for Code Inconnu/Code Unknown (1998), by Michael Haneke

By Elena Grossman

Elena Grossman is an artist and educator practicing visual art, graphic design, and programming for exhibition spaces, print, and screen media. Learn more about Elena